Will be the first base to offer paid-for MP3s
LONDON -- Warner Music is the modish major to sign up to U.K.-based ad-funded on-line music avail We7, and it is the first base to offer paid-for MP3s on the platform.
Users canful stream inexhaustible tracks and full albums for liberate on We7.com, in return for listening to short, targeted adverts before each track. The Oxford-based servicing began streaming free medicine from Sony BMG artists in April.
Warner Music U.K. will licence its full digital catalogue for streaming as substantially as making it uncommitted as paid-for MP3s to We7 from October.
The liberate music player is integrated into the download shop, allowing users to purchase tracks straight away. As part of the agreement, the two companies will also allow a reach of value-added digital products including album bundles with additional tracks, videos and interactive booklets.
"This innovative partnership brings together two increasingly popular modes of using up, ad-supported streaming and MP3 downloads, to create a rich, versatile digital music experience that will monetise a all-inclusive spectrum of consumer
Tuesday, 19 August 2008
Saturday, 9 August 2008
Suga Free and Mausberg present
Artist: Suga Free and Mausberg present
Genre(s):
funk
Discography:
The Konnected Project
Year:
Tracks: 15
Tuesday, 1 July 2008
MGMT destroy the John Peel Tent
MGMT played to a rammed to the rafters John Peel Tent at Glastonbury tonight (June 27th).
The crowd was spilling way out of the tent by the time the boys took to the stage to huge cheers. 'Weekend Wars' immediately had people dancing in unison and the pace never let up.
'Electric Feel' caused a mass singalong, as crowd surfers made for the stage, but it was 'Time to Pretend' which really shook the tent. The duo - Andrew VanWyngardan and Ben Goldwasser - having been quiet between songs applauded the crowd's reaction as they left the stage.
MGMT played:
'Weeked Wars'
'The Youth'
'Of Moons, Birds and Monsters'
'4th Dimensional Transition'
'Pieces Of What'
'Electric Feel'
'The Handshake'
'Time To Pretend'
'Kids'
Keep up with all the action from Glastonbury this weekend (June 27-29) as it happens on NME.COM. For news, pictures and blogs keep checking NME.COM's Glastonbury Festival page. Plus make sure you get next week's issue of NME � on UK newsstands from July 2 � for the ultimate Glastonbury review.
Jun 29, 2008 at Lancashire County Cricket Club, Manchester -
More MGMT tickets
The crowd was spilling way out of the tent by the time the boys took to the stage to huge cheers. 'Weekend Wars' immediately had people dancing in unison and the pace never let up.
'Electric Feel' caused a mass singalong, as crowd surfers made for the stage, but it was 'Time to Pretend' which really shook the tent. The duo - Andrew VanWyngardan and Ben Goldwasser - having been quiet between songs applauded the crowd's reaction as they left the stage.
MGMT played:
'Weeked Wars'
'The Youth'
'Of Moons, Birds and Monsters'
'4th Dimensional Transition'
'Pieces Of What'
'Electric Feel'
'The Handshake'
'Time To Pretend'
'Kids'
Keep up with all the action from Glastonbury this weekend (June 27-29) as it happens on NME.COM. For news, pictures and blogs keep checking NME.COM's Glastonbury Festival page. Plus make sure you get next week's issue of NME � on UK newsstands from July 2 � for the ultimate Glastonbury review.
Jun 29, 2008 at Lancashire County Cricket Club, Manchester -
More MGMT tickets
Friday, 27 June 2008
New Girl Talk Album Is Well Worth Your $0.00
Photo: Getty Images
1. Girl Talk, "Here's the Thing"
Girl Talk (né Gregg Gillis) drops another album of his attention-deficit mash-ups, available on Illegal Art for an In Rainbows–ish pay-what-you-want price tag. Most tracks consist of a classic pop-rock track and a more recent hip-hop or dance anthem combined for comic effect, as in this one where the Frankenstein narrator says, "I wish I had Jessie's girl, but I'd rather get some head." [Illegal Art]
2. The Walkmen, "New Year's Eve"
We're about as far away from New Year's Eve as you can get, but fortunately the new Walkmen album (from which this sweet song is taken) is going to arrive a lot sooner. [Azltron]
3. The Acorn, "Goonies 'R' Good Enough" (Cyndi Lauper cover)
The Acorn cover this Cyndi Lauper title track from the classic film, but we gotta say, it doesn't sound like the Goonies really are good enough for them. [Quick Before It Melts]
4. Diplo, "Drew Barrymore"
Diplo uses Tribe's "Electric Relaxation" as the basis for this slinky summer jam, though the name is puzzling, as Drew doesn't really seem to be Phife's type. [Pitchfork]
5. Detroit Octane, "Barack Obama-sistible" (Robert Palmer cover, sort of)
Obama is apparently so popular now that merely mentioning his name in an otherwise hideously awful Robert Palmer cover will get you on national television. [Culture Bully] —Ehren Gresehover
1. Girl Talk, "Here's the Thing"
Girl Talk (né Gregg Gillis) drops another album of his attention-deficit mash-ups, available on Illegal Art for an In Rainbows–ish pay-what-you-want price tag. Most tracks consist of a classic pop-rock track and a more recent hip-hop or dance anthem combined for comic effect, as in this one where the Frankenstein narrator says, "I wish I had Jessie's girl, but I'd rather get some head." [Illegal Art]
2. The Walkmen, "New Year's Eve"
We're about as far away from New Year's Eve as you can get, but fortunately the new Walkmen album (from which this sweet song is taken) is going to arrive a lot sooner. [Azltron]
3. The Acorn, "Goonies 'R' Good Enough" (Cyndi Lauper cover)
The Acorn cover this Cyndi Lauper title track from the classic film, but we gotta say, it doesn't sound like the Goonies really are good enough for them. [Quick Before It Melts]
4. Diplo, "Drew Barrymore"
Diplo uses Tribe's "Electric Relaxation" as the basis for this slinky summer jam, though the name is puzzling, as Drew doesn't really seem to be Phife's type. [Pitchfork]
5. Detroit Octane, "Barack Obama-sistible" (Robert Palmer cover, sort of)
Obama is apparently so popular now that merely mentioning his name in an otherwise hideously awful Robert Palmer cover will get you on national television. [Culture Bully] —Ehren Gresehover
Pino Daniele
Artist: Pino Daniele
Genre(s):
Blues
Pop
Folk
Discography:
Studio collection (cd2)
Year: 2005
Tracks: 15
Studio collection (cd1)
Year: 2005
Tracks: 16
Iguana Cafe: Latin Blues E Melodie
Year: 2005
Tracks: 13
The Platinum Collection (CD 3)
Year: 2004
Tracks: 17
The Platinum Collection (CD 2)
Year: 2004
Tracks: 19
The Platinum Collection (CD 1)
Year: 2004
Tracks: 22
The Platinum Collection
Year: 2004
Tracks: 22
Platinum Collection (CD3)
Year: 2004
Tracks: 17
Platinum Collection (CD1)
Year: 2004
Tracks: 22
Passi D'Autore
Year: 2004
Tracks: 14
Medina Tour live
Year: 2002
Tracks: 15
Amore Senza Fine
Year: 2002
Tracks: 22
Medina
Year: 2001
Tracks: 12
Napule E': Raccolta Completa (cd2)
Year: 2000
Tracks: 17
Napule E': Raccolta Completa (cd1)
Year: 2000
Tracks: 16
Come Un Gelato All'Equatore
Year: 1999
Tracks: 12
The Best of Pino Daniele: Yes I Know My Way
Year: 1998
Tracks: 16
Dimmi Cosa Succede Sulla Terra
Year: 1997
Tracks: 13
Che Dio Ti Benedica
Year: 1996
Tracks: 14
Passa O Tiempo E Che Fa
Year: 1995
Tracks: 23
Non Calpestare I Fiori Nel Deserto
Year: 1995
Tracks: 13
E Sona Mo
Year: 1993
Tracks: 14
Un Uomo in Blues
Year: 1991
Tracks: 10
Sotto O'Sole
Year: 1991
Tracks: 10
Tra Musica E Magia
Year: 1990
Tracks: 16
Mascalzone Latino
Year: 1989
Tracks: 10
Schizzechea With Love
Year: 1988
Tracks: 10
Bonne Soiree
Year: 1987
Tracks: 11
Ferryboat
Year: 1985
Tracks: 10
Scio: Live (CD 1)
Year: 1984
Tracks: 8
Scio Live (cd2)
Year: 1984
Tracks: 9
Scio Live
Year: 1984
Tracks: 8
Musicante
Year: 1984
Tracks: 10
Bella 'Mbriana
Year: 1982
Tracks: 11
Vai Mo
Year: 1981
Tracks: 11
Nero a Meta
Year: 1980
Tracks: 12
Pino Daniele
Year: 1979
Tracks: 12
Terra Mia
Year: 1977
Tracks: 13
Born March 19, 1955, in Naples, singer/songwriter Pino Daniele grew up acquisition both classic and traditional Neapolitan guitar, though as a adolescent he became interested in other styles of music, particularly British and American rock. His solo debut, Terra Mia, song dynasty in Neapolitan, was the number one exemplar of what Daniele called "taramblù," a combination of tarantella, rumba, and megrims. In 1979 his self-titled soph record was released, followed by Lucius Domitius Ahenobarbus a Metà in 1980, and that same year Daniele was invited to open for reggae whiz Bob Marley for his show in Milan. During the next few days the creative person continued exploring his diverse Mediterranean, African, and Western inspirations -- launch in albums like Common Ground, a coaction with American folksinger Richie Havens, and the Middle Eastern-influenced Bonne Soirée -- as comfortably as writing soundtracks for films by Massimo Troisi. In 1989 Daniele took a step toward greater commercial success with the acquittance of the pop record Mascalzone Latino, followed by some other flood of albums, including 1991's Un Uomo in Blues, 1993's Che Dio Ti Benedica (which had deuce tracks produced by Chick Corea), 1995's Non Calpestare I Fiori Nel Deserto, 1997's Dimmi Cosa Succede Sulla Terra, and 2000's Al Madinah. Two geezerhood later the singer teamed up with gent Italian stars Francesco De Gregori, Ron, and Fiorella Mannoia for a circuit, captured on the befittingly titled In Tour. In 2005 Daniele released Iguana iguana Café, some other studio record.
Bloodthorn
Artist: Bloodthorn
Genre(s):
Metal: Death,Black
Metal
Discography:
Genocide
Year: 2006
Tracks: 9
Under The Reign Of Terror
Year: 2001
Tracks: 8
Onwards into battle
Year: 1999
Tracks: 8
Omwards Into Battle
Year: 1999
Tracks: 8
Doomsword
Artist: Doomsword
Genre(s):
Rock
Discography:
My Name Will Live On
Year: 2007
Tracks: 9
Let Battle Commence
Year: 2003
Tracks: 7
Resound The Horn
Year:
Tracks: 7
Italian heavy alloy bands incline to be a bit dramatic and pontifical (to place it mildly), with preeminent examples such as Rhapsody and Labyrinth pursuing the symphonic, operatic, or at the very least progressive ends of the compositional spectrum; so the comparatively undecorated condemn metal championed by the competently named Doomsword sounds surprisingly novel. To be sure, their albums (including a self-titled debut from 1999, 2002's Resound the Horn, and 2003's Allow Battle Commence) tranquil contain challenging lyrical themes transaction with both ancient history and mythology, but vocalist, guitar player, and directing violence Deathmaster has loosely resisted many of his countrymen's excesses throughout the band's calling and ever-revolving membership.
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